Diana Madrigal-Barnitz (School Artistic Director) a New Orleans native, has studied ballet since the age of three. She began her training at the Myra Mier School of Ballet under the direction of Myra Mier in Kenner, Louisiana. At the age of thirteen, Diana joined the Jefferson Ballet Theatre where she performed many roles including Spanish Coffee from The Nutcracker, Jeremy Fisher from Tales of Beatrix Potter, Summer Fairy from Cinderella, Wicked Stepmother from Hansel and Gretel. As a trainee, Diana attended several summer intensive programs where she studied under Edward Villella, Susan Anderson, Marcus Alford, and Cindy Flach to name a few. At the age of fifteen, Diana started her instructor training in the Vaganova Method under Myra Mier.As a senior in high school, Diana participated in The Junior Philharmonic Society of New Orleans Performance series and was awarded the John Tobin Award for outstanding performance of Esperanza from Tarde en La Siesta.
Diana attended Loyola University New Orleans where she received a Bachelor of Arts in Public Relations with a minor in marketing in 2006. After graduation; Diana worked with Centerplate at the Mercedes-Benz Superdome and Smoothie King Arena as Suite Sales Executive Assistant. In the fall of 2013, Diana rejoined the dance community by opening the doors to The Studio School of Dance in Metairie, Louisiana. Diana returned to the stage in the spring of 2014 and danced with D’Project’s in their production of Let’s Dance: A Modern Tribute to the Music of David Bowie. In the summer of 2014, Diana joined Storytellers Dance Project as one of its founding members. In October of the same year, Diana portrayed one of the lead roles in their first full length production titled, “Say, You Got the Password?”
As a teacher, Diana’s students have been accepted to pre-professional summer intensive programs that include Houston Ballet, Orlando Ballet, Joffrey Ballet, Nashville Ballet, and American Ballet Theatre. Her students have participated in internationally renowned ballet competitions such as Youth American Grand Prix and the Valentina Kozlova International Ballet Competition.
Diana hopes to continue to promote the art of ballet as well as giving dancers the opportunity to express themselves through dance.
Rebecca Allen (Modern, Adult Ballet) is originally from Kenner, Louisiana, where she began her dance training with Myra Mier and the Jefferson Ballet Theatre. She studied both dance and the visual arts at Loyola University and the New Orleans Academy of Fine Arts. In 2001, she received her B.A. in Cultural Studies from the University of New Orleans. That same year, she moved to Nashville, Tennessee where she has worked as an artist and educator for the past 16 years with organizations such as the Nashville Ballet, Vanderbilt University, and Metro Parks Dance Division. In 2004 she became the assistant director to modern dance company StillPoint Dance Theatre and performed with the company for 7 years.
Thereafter, she began collaborating as a dancer and instructor with Banning Bouldin and New Dialect, an internationally recognized contemporary dance collective based in Nashville, since the collective’s inception in 2012, and more recently as a rehearsal assistant and choreographer.
Her most recent works include Kat 5, a commission by Intersection New Music Ensemble in collaboration with New Dialect and premiered at the Platform in Nashville in April 2016, and Lighthouse, a collaboration with Intermission and New Dialect, which premiered at Monthaven Mansion in Hendersonville, Tennessee in 2017.
She maintains a studio (RA | Studio) where she designs and creates her own line of functional ceramics. In her work as a multi-disciplinary artist, Becky loves to explore the intersection of her experience with the visual arts and dance.
Emma Busi (Contemporary, Mommy and Me) started dancing at age 4 at Silhouette School of Dance in Nashville, TN. After moving back to her hometown, Metairie, LA, she continued her dance education at The Academy of Classical Ballet then Helena Hosch School of Dance. Emma started dancing competitively with Helena Hosch’s Style Corps as well as with her schools dance team. During that time she had the opportunity to dance in selective competition showcases, halftime performances for the New Orleans Saints, Rose bowls, and many local events. She fell in love with the art of movement and performing. Emma and her family relocated to Shreveport, LA, due to hurricane Katrina and has since been spending most of her time there. She attended and taught classes at Red River National Stars in 2005 before beginning her training under Renee Cheveallier and Ginger Folmer at Centenary College’s dance department. It was at centenary that Miss Busi was introduced to modern dance and was made a member of the company Escaped Images. Together the company performed in various concerts, community events, and collaborated with praiseworthy bands and composers. Over the past few years Emma has had the pleasure of being a featured dancer in music videos and the film “looper”. She has performed with WC Choreography and La Rousse Promotions at countless Mardi Gras bals, fundraisers, and casino events. Emma has worked with The Shreveport Opera, Stage Center, Shreveport Little Theatre, and Factory Girls Productions. As well as being a featured character and dancer for the light suit dance crew, iluminate at Six Flags Over Texas. Most recently Emma has been an instructor at Power & Grace School of Performing Arts. Where she has taught babies to adults in ballet, tap, jazz, hip hop, contemporary, and modern. She co-founded Louisiana Dance Collective, a company for adult dancers, to provide training and performance opportunities is Shreveport and Bossier. Although she loves and trains in all styles of dance Emma’s focus is contemporary hip hop, modern, and jazz. Miss Busi is constantly seeking to be challenged in these genres and never stops growing to be a better performer, choreographer, and instructor.
Sarah Pickering (Yoga) grew up dancing ballet and jazz in Chapel Hill, NC. College took her to Stanford, CA where she continued her dance training and was a member of Cardinal Ballet Company. While in college, Sarah took her first yoga class and instantly felt improved strength and sense of body awareness. Her love for yoga led her to complete a 200hr yoga teacher training in 2012. Since then she has earned her doctor of Physical Therapy and loves to incorporate her love of dance and understanding of the human body into her yoga classes.
Leighann Kowalsky (Guest Teacher Modern/Contemporary) is a dance artist and a producer. She choreographs and performs Irish & Contemporary dance with the d’amby project, Hawkins style of Modern Dance with Erick Hawkins Dance Company, and independently with individual artists including painters, photographers and sculptors. Kowalsky is currently the Director for Dance at Millbrook School & Executive Director at the d’amby project. Collaborative in nature, Kowalsky teams up both onstage and behind stage with dancers and artists of all genres & traditions to create new and exciting interdisciplinary work. Production credits have included IheartRadio Music Festival, The Tony Awards & NBA All Star Game. Performance venues have included Jacob’s Pillow’s Inside/Out Stage, The Queen Elizabeth Theater in Vancouver, B.C., The Fisher Center for Performing Arts at Bard College, and a residency term at DANCEHOUSE in Dublin, Ireland.
Elizabeth Van Alstyne, (Guest Teacher,Pilates Instructor) former dancer, and Power Pilates certified instructor has been teaching Pilates and movement since 2003. Her specialties include working with young dancers to create strong, healthy bodies and helping them learn how to keep their bodies functioning at the highest level possible. Elizabeth graduated from Indiana university with a B.S. in ballet performance under the guidance of Violette Verdy, and went on to dance with the Nashville Ballet, and Ballet Austin II. After realizing she needed a more rigorous conditioning routine, Elizabeth enrolled, and completed over 600 hrs of apprenticeship and teaching, through Power Pilates of New York. Since moving back to Louisiana, she has taught full time at Romney Pilates Center and now at The Studio School of Dance. She is available to teach large or small groups, as well as private sessions in home or studio space
Abdelazis Roque (Naples Dance Conservatory/Guest Teacher- Ballet, Floor Barre, Pointe)received his training at the Professional School of the Arts in Camaguey, Cuba. After graduating in 1992, he danced with many companies, including:
- Ballet de Camaguey
- Ballet Pro Danza – Havana, Cuba
- Miami City Ballet
- Miami Hispanic Ballet
- Southern Ballet Theatre (Currently Known as “Orlando Ballet”)
- Ballet Theatre of Chicago-Lexington Ballet
- The Washington Ballet
- Ballet Concierto de Puerto Rico
- Chicago Festival Ballet
- Chicago Lyric Opera
Among other roles, Mr. Roque has performed Le Corsaire, Don Quixote, La Fille Mal Gardee, Coppelia, Pas de Deux Classique, La Bayadere, Flower Festival of Gensano, Carmen (Don Jose), The Cavalier in The Nutcracker, Swan Lake, Paquita, Diana and Acteon, Flame of Paris and Sleeping Beauty as well as a variety of contemporary and modern work. After becoming a freelance dancer and teacher, Mr. Roque worked as a principal guest artist with several companies and taught dance to young talents across the country. In addition, several guest instructors are invited throughout the year to teach specialized workshops to Conservatory students
Adeline Melcher (Guest Teacher) began her ballet training in New Orleans, Louisiana under the guidance of Myra Mier. She attended several ballet summer intensive programs, including Kirov Academy of Ballet, American Ballet Theater NYC, Pacific Northwest Ballet, Sarasota Ballet, School of American Ballet, Houston Ballet and Texas Ballet Theater. At 16, she became a student of Houston Ballet’s Ben Stevenson Academy. There she performed in Serenade by George Balanchine, Graduation Ball by David Lichine, Ladies and Young Person’s Guide to the Orchestra by Stanton Welch and The Nutcracker by Ben Stevenson. She is in her second season with Texas Ballet Theater.
Leigh M. Brockman Horowitz ( Guest Teacher, Storytellers DANCE Project, Founder and Artistic Director) began her classical ballet and character training under Bobbe Willard at the Lelia Haller School of Classical Ballet. Ms. Horowitz continued her movement and theater training at Mount Carmel Academy by performing and working backstage through their STK program (theater and musical theater), at that time under the direction of Liz Argus. Ms. Horowitz, while attending Mary Washington College (Fredericksburg, VA), also studied and performed in Swing Dance, in MWC’s Theater for Social Justice and in the MWC Chorus under Dr. Stephen Burton. Upon graduation, Ms. Horowitz moved to Omak, WA as a member of the Jesuit Volunteer Corps, where she began teaching children Musical Theater style dance, as well as beginning ballet through the JVC program. She also studied, taught, stage managed and performed for the LFW School of Dance, The Traveling Globe Shakespeare Theater and the OVAC Orchestra and Chorus, appearing and/ or working shows such as “The Nutcracker,” “Cinderella,” “The Twelve Dancing Princesses,” “The Man of La Mancha,” “As You Like It” and “Crazy for You.” After returning to the New Orleans area in 2000, Ms. Horowitz began her training in the Vaganova Syllabus (Russian Syllabus) at Loyola University New Orleans under Gayle Parmelee and Laura Zambrano. Ms. Horowitz continues her Vaganova Syllabus teacher training under Maestro Vladimir Issaev at the Arts Ballet Theater of Florida (Miami, FL), earning her teaching certifications in Years I-IV of the Vaganova Syllabus. Ms. Horowitz taught at Dance, Etc. in Reserve, LA from 2003-2011, where her students and choreographies won many Platinum (and higher) and Special Recognition Awards at competitions such as Showbiz Talent Competition, Showstoppers and Hall of Fame Dance Challenge. Ms. Horowitz also danced for and toured both nationally and internationally, as a soloist and corps member, with the Komenka Ethnic Dance and Music Ensemble for 13 years. Ms. Horowitz currently teaches the Levels I, II, IV, Pointe and Contemporary Classes for Loyola University New Orleans, while choreographing and performing for D’Project, Inc., as well as launching and becoming the Director of her own contemporary dance company, Storytellers DANCE Project.
Taylor Sambola (Orlando Ballet Company Member/ Guest Teacher – Ballet, Pilates) originally from New Orleans, Louisiana where she trained locally with Schramel Conservatory of Dance/ New Orleans Ballet Theatre, Myra Mier School of Ballet and Crescent City Ballet.In 2011, she competed in her first Youth American Grand Prix regionals in Chicago, placing top 12 in the Senior Classical Division. In that same year, Taylor was also cast as a ballerina stunt double for actress Katherine Boecher in Disney’s Imagination Movers episode “Shall We Dance”.
Taylor has also studied at The School of American Ballet, American Ballet Theatre New York, Ellison Ballet, Miami City Ballet, The Rock School, Houston Ballet and Orlando Ballet.
In 2011 at the age of 16, Taylor moved from New Orleans to Miami to study as a Trainee-with Miami City Ballet before moving to New York to continue her ballet training year round with Ellison Ballet. In that same year, Taylor also received her Pilates training in New York and became certified to teach Mat Power Pilates.
In 2012, Taylor had the opportunity to work privately in New York with Leslie Browne and Nancy Bielski of the American Ballet Theater. In that same year, Taylor was cast as a Slave Girl Supernumerary in ABT’s “Le Corsaire” and as a Bridesmaid Supernumerary in ABT’s “Romeo and Juliet” at the Metropolitan Opera House.
In 2012, Taylor moved to Philadelphia to study at The Rock School for Dance Education on a full merit scholarship for two years under the direction of Bo and Stephanie Spassoff.
In 2013, Taylor competed in Youth America Grand Prix and World Ballet Competition. Her contemporary pas de deux titled “Passagio”, choreographed by Justin Allen placed 1st in the Philadelphia regionals and was selected to compete in the YAGP finals in New York. Taylor also had the privilege to perform with the Rock School Dance Project in 2013 on “Americas Got Talent,” and qualified for the finals in Las Vegas.
In 2014, Taylor competed in Pittsburg’s YAGP regionals, placing Top 12 for her senior classical solos coached by Natasha Zeiger with The Rock School and Top 12 for her senior contemporary solo “The Beauty of Science” choreographed by Ashley Canterna Hardy qualifying for New York YAGP Finals.
Taylor received a second company contract for the 2014/2015 season with Orlando Ballet ll under the direction of Robert Hill and Dierdre Miles Burger. Taylor began the season, by performing in Vampire’s Ball, an original concept and choreography by Robert Hill. She also performed in Orlando Ballet’s Nutcracker, Robert Hills’ Peter & the Wolf as the Cat. She continued her work with OBll as a Swan in Orlando Ballet’s Swan Lake, a Dancer in choreographer and principal dancer Arcadian Broad’s world premiere of MW2 in Orlando Ballet’s Battle of the Sexes and in Robert Hills’ ballets titled Adagio and Allegretto as well as in the full length ballet of Coppélia. Taylor also danced the roles of Enchanted Garden Fairy, Carabosse, and Puss & Boots in OBII’s performance of Sleeping Beauty.
Taylor is presently a guest ballet teacher and Mat Power Pilates instructor, a model for Bloch Dance USA New York and going into her second season 2015/2016 with Orlando Ballet Second Company, OBll.
Arcadian Broad (Principal Orlando Ballet/Guest Teacher- Ballet , Contemporary) began dancing at age 9 and was a finalist for the title role of “Billy” in the Broadway Musical Billy Elliot. At 13 he made his TV debut as a Semi-finalist on season 4 of NBC’s America’s Got Talent and was a guest on the ELLEN show soon after. He has won numerous medals in the American Dance Competition and YAGP including the ADC prize from 2006-2011. He also has trained on full scholarship at Orlando Ballet School, the Carreno Festival and the Juilliard School. At 16, Arcadian was the youngest to be hired into Orlando Ballet under Artistic Director Robert Hill. With Hill’s guidance Arcadian has branched out into the world of choreography for the company and abroad. Arcadian also has a presence in the film industry. This is Arcadian 3rd season with Orlando and he would like to thank everyone who has touched his life and guided him to the man he is becoming today.